Cantico del Sole, by Ezra Pound, from Instigations, 1920.
Four Pieces, out now on Brave New Word, issue #10, part 2, Bil Sabab curator.
- Peter Ganick – One Written Piece
- Neal Retke – Five Poems
- John M. Bennett – Seven Pieces
- Jeff Bagato – One Gonch Poem
- Juan Angel Italiano – Five Visual Poems
- Jeff Hansen – Three Hybrid poems
- Hiromi Suzuki – A jouney taking a roundabout route
- Carlo Parcelli – Scabiopilus’s Vision
- Tchello d’Barros – Three visual poems
- Sean Gallagher – Three Found poems
- Casimir Funk – Epic Rollout
- Federico Federici – Four Pieces
- David Chirot – Eleven Pieces
Mrogn (Federico Federici, Zona 2017, Premio Elio Pagliarani) präsentiert auf dem 19. Poesiefestival Berlin “Werte Vers Kunst”, 26.05.2018.
Sounds from within the bunker: Brief aus Treblinka (Federico Federici, sound), res.o.nant (Mischa Kuball, lights, mirrors, projectors).
Recorded live in Berlin, 26/05/2018.
In this issue, edited by Cheryl Moskowitz and Stav Poleg: The seventh seal, one of the poems I read at 19. Poesiefestival Berlin, inspired by the homonymous masterpiece by Ingmar Bergman.
The launch will be on Friday 13 July at 7pm in London at The Cinema Museum, 2 Dugard Way, Lambeth, London SE11 4TH.
Admission to the launch is free.
Tempo in quattro movimenti, traduzione di Time in four movements (Federico Federici, “Sand” n. 10, Berlin 2014). Presentato al 19 Poesiefestival Berlin “Werte Vers Kunst”, 2018.
Brief aus Treblinka (Klang), in “res.o.nant”, eine Licht- und Klanginstallation von Mischa Kuball, Jüdischen Museum Berlin (2018-2019).
“The success of this work is in the determined representation of the “event” (the exorcism) as indirect: the breath of the speaker(s) is the only trace of their presence at the event – the candle responds to the breath, “referring back” to the event taking place. The work is successful because the “selection” of the image – a candle responding to the breath of the speaker – establishes the indirect presence (visual absence) of the speaker but also (as a sign) contains numerous additional meanings; of life, of the impermanence of life, as well as memory, memorialization of the dead, light, the light of knowledge (but also the incompleteness of knowledge), etc. All this is contained in the premise of the exorcism event, which refuses to be represented in the conventional “cinematic” narrative.”
Tom Konyves, Approaching Videopoetry: Origins, Constraints, Categories – Evaluating Videopoetry: Selection, Modification, Juxtaposition, IULM, Milan, 6-7 giugno 2018.
Il video è stato finalista al Premio Treviglio Poesia nel 2012.
Il testo è tratto da Archivio apocalittico, farsesco ecc., lulu.com, Morrisville 2017, (It). ISBN: 978-0244939878 (lùmina, critical edition)
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