Otoliths n.50

Four Visuals, «Otoliths», n.50, Mark Young curator, 2018.

The fiftieth issue of Otoliths has just gone live. I’m proud of the achievement, but the credit for the getting here must go to the contributors to the journal, more than a thousand individuals across the issues.
Sadly, some are no longer with us — Robert Gauldie, kari edwards, Marthe Reed, Ira Cohen, Carol Novack, Bob Grumman,  Michelle Greenblatt, Rochelle Ratner, Karl Young, David Mitchell, David Meltzer, Thomas Lowe (Tom) Taylor, Ed Baker, Halvard Johnson, Randall Brock, Christopher Mulrooney, Spencer Selby, Philip Byron Oakes, Jill Chan. So, to honor them & acknowledge their part in this journey over the last 12+ years, I have included in this issue a selection of their works from earlier issues.
In addition to that substantial offering, there’s a variety of new work from Andre Bagoo, David Lohrey, Cecelia Chapman, Nicholas Bon, Annabelle Ballard, Kyle Hemmings, Mariana Rodríguez, Gustave Morin, Seth Howard, Raymond Farr, John M. Bennett, Jim Leftwich, Sanjeev Sethi, Michael Minassian, Andrew K. Peterson, Hugh Behm-Steinberg, J.J. Campbell, David Greenslade, Demosthenes Agrafiotis, Richard Kostelanetz, Michael Prihoda, Carlyle Baker, Adam Fieled, Lakey Comess, Olivier Schopfer, Claudia Serea, Carol Stetser, AG Davis, Steve Dalachinsky, Jake Berry, Jack Foley, Daniel de Culla, Clara B. Jones, David Baptiste Chirot, Tiana Marrese, John McCluskey, Willie Smith, Doren Robbins, Pearl Button, Meeah Williams, Thomas Fink & Tom Beckett, Jack Galmitz, Devon Balwit, Tom Montag, Kellyn Elson, Mary Kasimor, Jesse Glass, Federico Federici, Daniel f Bradley, M.J. Iuppa, Tim Rogers, Andrew Taylor, Sheila E. Murphy, Texas Fontanella, osvaldo cibils, Joe Balaz, Heath Brougher, Erik Fuhrer, Kevin Tosca, Alyssa Trivett, Jim Meirose, Bob Heman, Penelope Weiss, Drew B. David, Linc Madison, Nicholas J.A., Tony Beyer, J. D. Nelson, Michael Brandonisio, Edward Wells, hiromi suzuki, Michael O’Brien, Pam Brown, Elaine Woo, & 61 “AsEmIc Pieces” — 60 inside & one on the cover — by Alberto Vitacchio, plus, from the 1970s, six more newspaper columns from Kenneth Rexroth.

Mark Young

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